A kite camera at Pier 94
By Ilana DeBare
We recently had a fascinating encounter with a kite at Pier 94 – not a White-tailed Kite, but a camera kite.
Cris Benton is a former Berkeley architecture professor who has built a second career around kite aerial photography – using cameras attached to kites to document landscapes. On August 4, we were delighted to welcome Cris and his colleague, microbiologist Wayne Lanier, to our restoration site at Pier 94.
If you’re not familiar with it, Pier 94 is a five-acre parcel of shoreline wetlands near Hunter’s Point, owned by the Port of San Francisco. Surrounded by industrial uses such as a gravel processing facility and a rendering plant, it’s an unlikely wildlife habitat. But over the past ten years, Golden Gate Bird Alliance volunteers have planted over 500 native plants, pulled 80 cubic yards of non-native weeds, and removed 1,500 gallon bags of trash. Pier 94 today is home to Bank Swallows, American Avocets, Killdeer, gulls, cormorants, pelicans, sandpipers and even a nesting pair of Osprey.

On August 4th, Cris and Wayne joined us at our monthly volunteer work session. Wayne brought his field microscope – a mini-lab that fits in his orange day pack – and showed us how to test the tidal ponds for salinity and microorganisms.
Cris brought his set of eight kites – each designed for a different amount of wind – and his Canon SLR camera with a 10-22 mm zoom. Cris rigs the camera to a kite with a system recently rediscovered from 1912 — the “golden age” of kite photography, before the advent of planes, helicopters and satellites.
The camera sits in a metal cradle with insectlike legs that cushion it from occasional rough landings. It hangs from a stabilized cross that attaches to the kite line in two places, looking a bit like a spider suspended on a couple of threads. Cris controls the camera with a modified model-airplane remote: One hand holds the kite string and the other uses the remote to angle the camera and take pictures.

Kite photography is ideal for aerial views that are closer and more detailed than anything taken from a plane or helicopter. “I own the space between 10 feet and 300 feet,” Cris says proudly. “A fixed-wing aircraft trying to photograph at 300 feet has to rush by.…