Field Guide: An Artist’s Approach to Avian Taxonomy
By Christopher Reiger
In March 2020, I was excited. After 15 years of full and part-time jobs in administration and communications, I was finally in my studio five days a week and our two young boys were both in daycare programs. Creatively, I was cranking. In addition to a number of in-progress illustration and design jobs, I’d just completed studies for eight new works on paper. On social media, I shared a photo of my studio wall covered with freshly-pressed sheets of watercolor paper; the caption read, “Those blank sheets? They won’t be blank for long.”
Overnight, though, the pandemic made me a stay-at-home dad. Because the boys were so young (4 and 2 at the pandemic’s start), it was challenging, but, like parents everywhere, I made do. Yard exploration and reading were our go-to sanity-saving activities. Outside, we flipped fieldstones in search of ring-necked snakes and arboreal or California slender salamanders, and we watched California scrub-jays, bushtits, oak titmice, acorn woodpeckers, and many other local bird species work through the valley and coast live oaks. Inside, we embraced twice-daily epic story blocks, reading The Hobbit, Lord of the Rings, the Narnia Chronicles, the Harry Potter series, Wind In The Willows, The Jungle Books, and more. By the time the boys were asleep at day’s end, I was beat; my only working window was 8 p.m. to midnight, but “dadding” exhaustion made it difficult for me to take on many illustration/design gigs, and my art practice was completely fallow.
Still, bleary though it was, my mind needed a creative outlet. In the days’ interstitial spaces, I started turning over an unrealized idea I’d jotted down in a sketchbook years ago – “create bird species paint chips.” There was a germ of something exciting there, but what?

Then came the summer of 2020. As our society wrestled with racial injustice, past and present, I found myself thinking a lot about how we humans classify and catalog life. The social implications of our evolved human impulse to categorize are generally grim (see: human history), but that same proclivity allows us to better appreciate evolution and the relationship between species, subspecies, and ecotypes. As a natural history nerd, I value taxonomy’s utility, but I’m also enamored of its flux and ever-provisional nature. I decided that the “paint chip” idea must be realized as a project that playfully celebrates and critiques the necessarily imperfect science of taxonomy.…